Week 24

There’s a thing I’ve been avoiding.

Last week a student raised his arm to his chest, as if to begin a backhand, and asked, “Do you want me to slap you or something?”. He had been angry at me for two days, through two rounds of group meetings, because of a rule I was holding and the way I was holding it. This student is already in a man’s body; he is broad and strong, though not taller than me. In the moment I was relieved. I could even describe the feeling as happy. Odd, no? It was the second day, and his anger had been building, his tone when he spoke to me becoming more dismissive, his accusations both increasingly vague and vitriolic, and here finally was something that was indisputably wrong. He had crossed a clear line, and I could stop trying to handle it alone.

We began the necessary follow-up, he surprising me at first by not resisting our trip to the office, or the conversations that followed. I was calm, mostly, that whole afternoon, and into the evening. As the night progressed and I told B. the story, the certainty that I had handled the situation the right way, and adrenalin too, kept me alert, hyper even. This lasted until I wrote up the incident report. I sat down to type, recording the meetings and the conversations and then I got to the sentence, “Do you want me to slap you or something?” and I remembered suddenly that he had raised his hand to his chest when he said it, as if to begin a backhand. And instantly that I was sure and strong about, and the fuel of my adrenalin, drained away. And it’s still doing it, the angry glare, the sentence, and the hand, and I can see it and then I am not his teacher, nor he my student. I can’t see his actions in any kind of perspective, can’t weigh them against the challenges I know he faces, his unique needs and hardships in the world; all I can be is exposed.

The next day, when we began a new round of meetings I came to understand why he had not resisted our trip to the office, or any of the follow-up: He still thought he was right. He informed me that he had said that sentence, he would not use the world “threaten”, because I had “crossed a line.”

The drama of the incident is passing. The staff has had to shift to considering the over-arching questions of the relationship between this student and the school.

I haven’t gotten to the thing I’ve been avoiding; that thing is about skin, meaning skin color, and that will come, but this comes first, because of course this is not the first time a man, a boy, whatever, has reacted with rage to what they determine to be my crossing of a line. It’s not the first time a man has hated me. It happens on the street and on subways; it happened when I stood posing and hustling behind a bar; and it’s happened in my family.

I do wonder what memories my brain has locked away from me. I’ve wondered that for a long time. But regardless of what I may never remember, I do know the feeling of my body as symbol, as key that unlocks male fury, and I can never be quite sure what will do it. It comes at random, punctures days that begin peaceful and sure. Sometimes it beads right off me. Sometimes it seeps in and quickly, collects and stays and sloshes in me while I go about my day.

And sometimes there are days when my sense of who I am splits entirely from my body. I am me and apart from that me is my body: a thing that was done to me; a thing that traps me; a thing that draws attention even when I don’t want it to. Sometimes the very fact of being seen, of walking down the street, is exhausting.

I’m grateful that nothing more happened than a threat. That my life is not violent. But, and I can’t explain it, a few sentences and the sweep of an arm have been enough to shake me.

My body is the safest space this babe of mine knows. I thought that this was my grace period; the nine months I get to keep it absolutely safe before I expose it to the world that is. But that’s not true. And maybe that’s why I’m uneasy these days. Because I can’t give what I can’t get.

Week 21

For the first time since I was secretly trying to starve and exercise myself into another body, the general public are commenting on my body. The consensus is that I’m “carrying well.” As in, I’m not getting a lot of weight. This is also a sign that I’m having a boy since the girls curse you with weight gain. Although, the girls are also said to curse you with nausea, so my tortuous first trimester means a girl, while the “blessing” of carrying small means a boy.

From two New Yorker articles I’ve read in the last month:

“[Angela] Merkel has lost weight–bedridden last winter after fracturing her pelvis in a cross-country-skiing accident, she gave up sausage sandwiches for chopped carrots and took off twenty pounds.”

“In photographs, Cheryl Strayed looks like a big bodied woman.”

Merkel is the German Chancellor, and the same piece refers to her as “the most powerful woman in the world.” Strayed is an award winning, best-selling author. Amid the countless articles and profiles I read of notable males, there are very few that mention body size and if they do, the subject is usually Bill Clinton, commenting on his post heart surgery veganism, or Chris Christie, whose weight is almost an asset, some kind of shine to it–as if it is a symbol of his individualism, his defiance. Can you imagine a woman of his size being taken seriously as a potential presidential candidate? Can you imagine her being taken seriously at the post office?

Last night I watched The Wolf of Wall Street. The first wife was a super hot brunette with curly hair. Obviously, she was left for the super hot blonde with straight hair.

But this is all painfully obvious and so familiar to me, as I imagine it is to every woman who might read this, that it is totally boring. Boring to think about, boring to write about, barely worth talking about. Feminism, the notion of it, was not something I had given any real energy to in years, but this fall my school began doing work around sexism and gender identity. And also, I was pregnant. Turns out being pregnant and talking about sexism is a surefire way to ignite long dormant anger. The students were really the ones who did me in. Because they are young and female and they are very angry. New to the experience of objectification, they can remember more clearly than I being 8 and 9 and 10 and 11. They are closer to that time before breasts (for some of us) and puberty, years when we were mostly free from the constant gaze, the constant fusing of our identities to our physical appearance. They are just recently coming out of the shift into sexual beings and the new way they are treated pisses them off. They call out the perpetual disrespects leveled at women that I had stopped paying serious attention to years ago. And of course, at the same time, no matter how brilliant and bold and defiant they are, they are tortured by the expectations…comparing their thighs and breasts and hips and arms to the computer polished images of the female form that bombard us.

From a fashion blog, “It’s not that I idealize skinny-ness, it’s just that I am entranced by the aesthetic of the skeleton. I am drawn to the beauty of bones.”

I read that five years ago. Haven’t forgotten it yet. Nor that little whisper of agreement, like Gollum convincing Smeagol, “Yes, yes, that is pretty, the clothes flow, how nice and long and lean.”

Last night during The Wolf of Wall Street naked women swarmed the screen like schools of fish. And they were fucked in more ways than I usually see in one movie; their bodies on desks and beds and floors and airplanes and cars. Their bodies their bodies their bodies. White. Pale. Public hair ripped off, leaving bare little-girl vaginas, hip bones jutting, asses often flat actually, little muscle tone, just thin. A pregnant character nagging her husband, no longer the desired sex object, replaced by others, by hookers, her body unaltered except for the prosthetic bump beneath her tight dress, her body after the baby showing no signs of pregnancy, or nursing, simply back to her stunning self, but still replaced by other women as the desired one. The woman in the house, with the baby, spending the husband’s money, no longer putting out.

And yes, you could ask, what else would I expect from this particular movie? The point of the plot is the depravity and debauchery and so on. But this is not so much a critique of this one movie because what I just described is true of countless movies. You all know it. It is the perpetual narrative of the transformation of the beauty, the one sought, the one desired, into the one taken for granted, the nagging wife; the timeless triad of virgin, wife, whore.

Really, I’m writing about the movie because last night I forgot to be angry. I forgot to critique. I was too tired. Just wanted to absorb and not think. So mostly what I thought, without realizing it, the words simply seeping into my consciousness, was this:  My body will never look like that. Of course, my body was never going to look like that, but I could always hold the delusion in reserve. No longer. Some of these changes are going to be permanent. These veins and bones and skin are never going to be quite what they were.

I battle future stretch marks with tubs of shea butter. I fear post-nursing breasts as flat and useless as popped water balloons. I anticipate those months after the baby is born when my abdomen sags and flaps. I anticipate hating it. I see myself grabbing that extra skin in my hands. I see myself feeling ugly.

B. says my body is luxurious.

One of the things that kept me from acknowledging that I had an eating disorder was that I assumed I was simply too much of a feminist. Also, that what I was doing seemed normal. Everyone cleanses, reduces, refuses, runs. I didn’t look sick. I just looked smaller. I just looked like a New Yorker.

My grandmother spent years eating only one banana for lunch. In her last months, ill and in pain, she mourned the loss of her waist.

How mundane to be a woman writing about body image. How commonplace and ubiquitous. How repetitive. In the movie the early scene of a man snorting coke out of a woman’s white, naked ass gave me a little shock and thrill–Caught my attention. By the end of the three hours, the vaginas were only background. Scenery. And boring scenery. I want to be wary of the dulling of my senses. I think we should all be. The flash of a woman’s naked form should always excite. And the equating of her worth to that form should always enrage.

I don’t say thank you when the women appraise me body, nod approvingly at my size, give what they believe to be compliments. Because I can’t afford to agree with them. I have to believe there’s no such thing as there being too much of me, just as I’m piecing together that it’s not possible to be too much of a feminist.